TOPIC : Contemporary histories of Europe in artistic and creative practices
|Publication date:||14 October 2015|
|Types of action:||RIA Research and Innovation action|
|DeadlineModel: Planned opening date:||single-stage 04 October 2016||Deadline:||02 February 2017 17:00:00|
|Time Zone : (Brussels time)|
Topic DescriptionSpecific Challenge:
Culture is the most cherished and valued shared European asset of EU citizens according to surveys. Europe has been associated with and represented by iconic artistic and literary works since Antiquity. From the ancient Greek myth of Europa to Tolstoy's depiction of Napoleonic Europe in "War and Peace" and to Beethoven's 9th Symphony passing by medieval sacred arts or iconic European films, the list of artistic and literary expressions that represent Europe for many Europeans or non-Europeans is open-ended. Even without an official consensus about a repertory of these artistic and literary representations of Europe, they form the backbone of a European cultural identity and cultural heritage for many Europeans and for visitors coming to Europe for admiring its unique cultural heritage. However, the creation of cultural heritage is a never ending process. Today's culture is tomorrow's cultural heritage in the making. In this perspective, the specific challenge of the topic is to critically investigate - with the help of social sciences and humanities - the evolving representations of Europe in contemporary artistic and creative expressions in the light of changing societal, historical and cultural contexts.Scope:
Research under this topic will examine various contemporary artistic and creative practices such as literature, cinema, music and dance, in order to identify and assess their representations of Europe, European identity and Europeanisation. It should have a comparative approach and a wide European geographic coverage. Research should clearly distinguish between positive and negative depictions of Europe and the European Union, and investigate the reasons for such representations. The definition and selection of the artistic, literary and creative manifestations representing Europe should cover various European regions, including post-2004 EU Member States, and potentially from neighbouring countries. Research should consider the role of curation, language, translation and digitalisation in terms of accessing these representations. It should consider implications for perspectives on European culture and cultural heritage and the possibilities to channel research results into formal and informal education in Europe through innovative learning material adapted to contemporary media and art consumption patterns. The early involvement of networks of cultural and/or education institutions should contribute to the efficient uptake of research results.
The Commission considers that proposals requesting a contribution from the EU in the order of EUR 2.5 million would allow this specific challenge to be addressed appropriately. This does not preclude submission and selection of proposals requesting other amounts.Expected Impact:
Research will result in better knowledge of cultural Europeanisation in the making and in new, innovative tools and material for formal and informal education. The results and their dissemination will contribute to the renewal of cultural narratives of Europe that speak to Europeans of different languages, cultures, religions and origins beyond national borders. It will contribute to enhanced cultural inter-comprehension among Europeans. Research outputs and dissemination means will be adapted to contemporary art and literature consumption patterns in Europe.
Topic conditions and documents
Please read carefully all provisions below before the preparation of your application.
- List of countries and applicable rules for funding: described in part A of the General Annexes of the General Work Programme.
Note also that a number of non-EU/non-Associated Countries that are not automatically eligible for funding have made specific provisions for making funding available for their participants in Horizon 2020 projects (follow the links to Australia, Brazil, Canada, China, Hong Kong & Macau, India, Japan, Republic of Korea, Mexico, Russia, Taiwan).
- Eligibility and admissibility conditions: described in part B and C of the General Annexes of the General Work Programme
Proposal page limits and layout: Please refer to Part B of the standard proposal template.
3.1 Evaluation criteria and procedure, scoring and threshold: described in part H of the General Annexes of the General Work Programme
3.2 Specific evaluation procedure: At least 1 proposal per topic will be selected for funding provided it passes all evaluation thresholds.
3.3 Submission and evaluation process: Guide to the submission and evaluation process
- Indicative timetable for evaluation and grant agreement:
Information on the outcome of single-stage evaluation: maximum 5 months from the deadline for submission.
Signature of grant agreements: maximum 8 months from the deadline for submission.
Members of consortium are required to conclude a consortium agreement, in principle prior to the signature of the grant agreement.
- Provisions, proposal templates and evaluation forms for the type(s) of action(s) under this topic:
Research and Innovation Action:
Specific provisions and funding rates
Standard proposal template
Standard evaluation form
H2020 General MGA -Multi-Beneficiary
Annotated Grant Agreement
- Additional provisions:
Horizon 2020 budget flexibility
Technology readiness levels (TRL) – where a topic description refers to TRL, these definitions apply.
Financial support to Third Parties – where a topic description foresees financial support to Third Parties, these provisions apply.
- Open access must be granted to all scientific publications resulting from Horizon 2020 actions, and proposals must refer to measures envisaged. Where relevant, proposals should also provide information on how the participants will manage the research data generated and/or collected during the project, such as details on what types of data the project will generate, whether and how this data will be exploited or made accessible for verification and re-use, and how it will be curated and preserved.
This topic participates per default in the open access to research data pilot which aims to improve and maximise access to and re-use of research data generated by projects:
• The pilot applies to the data needed to validate the results presented in scientific publications. Additionally, projects can choose to make other data available for open access and need to describe their approach in a Data Management Plan (to be provided within six months after the project start).
• Note that the evaluation phase proposals will not be evaluated more favourably because they are part of the Pilot, and will not be penalised for opting out of the Pilot.
• Projects can at any stage opt-out of the pilot.
The legal requirements for projects participating in this pilot are in the article 29.3 of the Model Grant Agreement.
Further information on the Open Research Data Pilot is made available in the H2020 Online Manual.
- Additional documents
H2020 Work Programme 2016-17: Introduction
H2020 Work Programme 2016-17: Europe in a changing world - inclusive, innovative and reflective societies
H2020 Work Programme 2017-17: Dissemination, Exploitation and Evaluation
H2020 Work Programme 2016-17: General Annexes
Legal basis - Framework Programme
Legal basis - Rules for Participation
Legal basis - Specific Programme
The submission system is planned to be opened on the date stated on the topic header.
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Participant Portal FAQ – Submission of proposals.
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